The Pirates’ Who’s Who

The Pirates’ Who’s Who

The Pirates' Who's Who

Philip Gosse

28,29 €
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Editorial:
Brian Westland
Año de edición:
1924
Materia
Biografía: general
ISBN:
9781774415320
28,29 €
IVA incluido
Disponible
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 Surely pirates, taking them in their broadest sense, are as much entitled to a biographical dictionary of their own as are clergymen, race-horses, or artists in ferro-concrete, who all, I am assured, have their own "Who's Who"? Have not the medical men their Directory, the lawyers their List, the peers their Peerage? There are books which record the names and the particulars of musicians, schoolmasters, stockbrokers, saints and bookmakers, and I dare say there is an average adjuster's almanac. A peer, a horse, dog, cat, and even a white mouse, if of blood sufficiently blue, has his pedigree recorded somewhere. Above all, there is that astounding and entertaining volume, "Who's Who," found in every club smoking-room, and which grows more bulky year by year, stuffed with information about the careers, the hobbies, and the marriages of all the most distinguished persons in every profession, including very full details about the lives and doings of all our journalists. But on the club table where these books of ready reference stand with "Whitaker," "ABC," and "Ruff's Guide to the Turf," there is just one gap that the compiler of this work has for a long while felt sorely needed filling. There has been until now no work that gives immediate and trustworthy information about the lives, and--so sadly important in their cases--the deaths of our pirates and buccaneers.In delving in the volumes of the "Dictionary of National Biography," it has been a sad disappointment to the writer to find so little space devoted to the careers of these picturesque if, I must admit, often unseemly persons. There are, of course, to be found a few pirates with household names such as Kidd, Teach, and Avery. A few, too, of the buccaneers, headed by the great Sir Henry Morgan, come in for their share. But I compare with indignation the meagre show of pirates in that monumental work with the rich profusion of divines! Even during the years when piracy was at its height--say from 1680 until 1730--the pirates are utterly swamped by the theologians. Can it be that these two professions flourished most vigorously side by side, and that when one began to languish, the other also began to fade?

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