Tales of The Alhambra

Compiled during a three-month stay in Granada, Spain, Tales of the Alhambra assembles descriptions, myths, and narratives of historical events. After completing a literary project in Madrid, author Washington Irving traveled to Granada, Spain. Immediately taken by its beauty and extravagance, Irving requested a travel guide and began filling notebooks and journals with his observations and description of the magnificent setting. Beginning with an expedition through the Andalusian mountains on horseback, cherishing the grandeur of the nature, Irving took his time to enjoy and observe the landscape and culture of the country. After their horseback ride through the mountains, Irving and his guide stopped at an inn for a drink. During their stay, Irving witnessed artistic culture through music and dance, noting how the locals seemed to celebrate every-day occurrences, creating a happy environment. Upon entering the city, Irving requested permission from the governor to stay at the Alhambra palace. Originally built on the ruins of Roman buildings, the Alhambra was a small fortress built in 889 CE, and had been largely ignored and forgotten by the time Irving arrived in Granada. While staying in the Alhambra, Irving explored the abandoned palace and recollected the myths set within its walls, recording every detail of its architecture, story, and mystery. The Alhambra palace had been mostly forgotten, and left unmaintained until Washington Irving’s narrative and recollections revived interest. Upon its original publication in 1832, Washington Irving’s Tales of the Alhambra piqued the curiosity of readers who were completely engrossed in Irving’s description of the previously abandoned fortress. With delicate prose and intricate detail, Tales of the Alhambra appeal to readers’ sense of adventure, and allows its audience to explore the wonders of Granada, Spain alongside Washington Irving. This edition of Washington Irving’s Tales of the Alhambra features a new, eye-catching cover design and is printed in a font that is both modern and readable, inviting contemporary audiences to divulge in the grandeur and beauty of a medieval fortress.