Jeffrey L. Carrier
The farm was hers before it was his.It was the old Lawrence Price place, and Lawrence Price was her uncle, and they bought it from his executors in 1919 because it was her family’s ground. Six thousand dollars down and six thousand on a mortgage running back to that same estate. Her husband paid the interest twice and then never again.Nellie Kehoe is fifty-one, short of breath, and has been in and out of hospitals in Lansing for eight months. She notices everything. She notices ten boxes of explosive standing in her barn to blast stumps on a field that has no stumps. She notices two porcelain knobs and a run of wire on the end of a barn on a farm with no electricity. She notices eight shade trees girdled at the same height, and a sound under her floor on a January afternoon, and a crop that was never taken off.And she concludes almost nothing, because there is almost nothing to conclude, and because the alternative is to say a sentence out loud about her husband that no woman in that township could have said and been believed.Almost the whole of this novel happens before the eighteenth of May, 1927, in a farmhouse, at a kitchen table. Every ordinary day in it is read twice at once: as what it is, and as what you already know it to be. She gets the day.Set against it, in short chapters, is the coroner’s inquest that followed: three days, fifty-five sworn witnesses, and a proceeding that was never required to find out one thing about her.Nellie Kehoe left seven words that anybody wrote down. On the list of the dead attached to the jury’s finding, between Johns and McFarren, there is an entry that reads Kehoe, Mrs. Andrew.Hers is the only name on that list that is not a name.